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You're Gonna Love Tomorrow
Performed at the Greenwich Playhouse December 2000
Galleon's production of 'You're Gonna Love Tomorrow'
was a musical review of Stephen Sondheim's extraordinary
music. The twenty two songs, specially chosen by the
master himself, only included musical numbers for which
Sondheim wrote both the music and the lyrics. 'You're
Gonna Love Tomorrow' celebrated Sondheim's versatility
and musical genius and traced his immeasurable contribution
to the world of musical theatre. It comprised well-loved
songs such as 'Send In The Clowns', 'Johanna', 'Someone
In A Tree', 'Being Alive', 'Not A Day Goes By', 'Another
Hundred People', 'Old Friends', and 'The Miller's Son'.
Galleon's production of 'You're Gonna Love Tomorrow'
was a magical celebration of Sondheim and of his work,
which has always defied generality and remains to date,
the most ambitious and technically challenging writing
for the musical stage.
CREDITS
Directed by Simon Bell
Produced by Alice de Sousa
THE CAST
Alan Atkins
Kirstie Austin
Stewart Briggs
Gareth Davies
Tim McArthur
Maxine Gregory
Jenna Shaw
THE CREATIVE TEAM
Set Construction - Rebecca Adams
Musical Director - Colin Billing
Stage Manager - Jennifer Farmer
Choreographer - Elizabeth Marsh
Assis. Musical Director - Debbie Morris
Set Designer - Cleo Pettitt
Assis. Choreographer - Anthony Psaila
Publicity Designer - Alison Rayner
Costume Designer - Barry Simmons
Lighting Designer - John Treherne
Stills Photographer - Paul Welch
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REVIEWS
'Immensely entertaining revue' - The Stage
'wonderful, heartfelt and stirring' - Time Out 'Producer Alice de Sousa and director Simon Bell of
the Galleon Theatre Company have put together the perfect
remedy for winter blues or a cold winter's night.' -
theatreguide-london.co.uk
''This bubbly revue is Galleon's second foray this year
in celebration of Stephen Sondheim's 50 year oeuvre,
and this seamless selection of 22 songs from the great
man's shows captures all that Broadway magic.' - The
Stage
'This compilation demonstrates how infuriatingly - or,
conversely, wonderful - the man can be, mixing songs
with the most jarring of rhythms and chords with the
most sublime of romantic ballads.' - Kentish Times |
